Graffiti as a Participatory Method Fostering Epistemic Justice and Collective Capabilities among Rural Youth: A case study in Zimbabwe is a chapter by Tendayi Marovah and Faith Mkwananzi in the edited book Participatory Research, Capabilities and Epistemic Justice: A Transformative Agenda for Higher Education. The chapters illustrate how epistemic capabilities can be marginalised by both institutions and structural and historical factors; as well as the potential for possibilities when spaces are opened for genuine participation and designed for a plurality of voices.
The research project is a collaboration between the University of Leeds and The Kohima Institute and aims to build the research capacity among indigenous young people in the region of Nagaland where there has been a curtailment of research into critical areas such as health.
This article authored by Aylwyn Walsh and Scott Burnett considers youth co-production in the context of the Changing the Story phase 1 project Ilizwi Lenyaniso Lomhlaba. The participatory project conceives of ‘voice' as research data, turn of phrase, and character by engaging with the work produced by South African co-creator collective Ilizwi Lenyaniso Lomhlaba, who contribute to voicing issues related to land, stewardship and futures. Developing Linda Tuhiwai Smith's five dimensions of decolonial theorisation, the article considers ‘voice' as a complex and dynamic formulation including regimes of power: funding, legacies of dispossession and ongoing marginalisation and highlighting the achievements of young people’s formulation of the stories of their world.
Read the latest publication from Nub Raj Bhandari, a Phase 2 Partner on Interpreting Civic National Values (Kenya), titled 'To what extent does religious orientation and educational attainment deform gendered attitudes between wives and husbands?'
Nub Raj Bhandari, from the Janaki Women Awareness Society and co-investigator of one of our Phase 2 projects, investigates the causality between school attendance and likelihood of child marriage in Nepal, in an article recently published in the Journal of International Women's Studies (2019).
Connective Memories is a participatory arts research project on the topic of Isangizanyankuru (meaning shared stories and memories in Kinyarwanda), codesigned, co-delivered and evaluated by 10 young people and 6 adult facilitators in Rwanda, in collaboration with the Institute of Research and Dialogue for Peace and Uyisenga Ni Imanzi.
Opera Circus, a performing arts organisations in the UK worked with Changing the Story with a small project in Bosnia and Herzegovina called Izazov! (provocation/challenge). 4 films were made by 5 young people from BiH, UK and Italy which expressed their concerns about their lives, their families and their future.
None of them were trained in the making of documentary films. Robert Golden professional photographer and film maker mentored the process which was researched by 3 academics from Kings College London and Sarajevo School of Science and Technology. CtS was led by Leeds University UK.
ImaginingOtherwise young people explore Cape Town, introducing their understanding of space and the creative use of film-making to represent people, communities and lives from the perspective of creative makers. Supported by @Lodeffilms as part of @Changing_Story @AylwynWalsh
Developed with young artists in collaboration with (Lo-Def Film Factory), this step-by-step film demonstrates how you can use mobile phones for telling your stories.
A group of the ImaginingOtherwise participants learnt how to make films with their smart phones, including basic green screen techniques using minimal equipment. They worked with artists Amy Wilson and Francois Knoetze who run the Lo-Def Film Factory - an organisation that aims to make film making accessible to everyone. These three short films made at the end of our project by the participants, aim to reflect on the intersection of story-telling, film and politics. In the second video, the group shows us the basics of shooting with your phone. These videos are a culmination of our learning about how to tell meaningful stories through film.
The ImaginingOtherwise crew introduces some of their tasks and experiments using video storytelling to amplify voices and advocate for their communities.
The “Long Live Diversity” workshop is an experience that contributes to build a narrative of peace between sectors that have historically been separated by violence, inviting them to a collective construction encounter experience around the joy and display of the music. The workshops focus on the deconstruction of bias that divide them and fragment their territory.
Cultural and artistic processes with young people are important because they represent the possibility of coming together around personal preferences and talents, they are a space of joy, expression, imagination and creation, that is, of transformation. In turn, the opportunity to meet makes it possible to weave other forms of relationship that invite to process conflicts from dialogue and respect for the difference.
The final #ImaginingOtherwise project is an Arts Activism toolkit. This toolkit intentionally brings together case studies of innovative arts activism practice from the global South, activities to develop one’s own art activism, and different ways to think about why creativity, the arts, and social justice can work together. This toolkit is free to download and published under a creative commons license.
This Scheme of Work document was devised as a framework for research and development by the Phase 2 project 'Interpreting Civic National Values' to allow young people in Kenya and Nepal to REFLECT individually on life experiences in their community and to DISCUSS these with each other - to RECORD their thoughts through shared writing and shared artwork - to bring these thoughts to life through PERFORMANCES of their choice such as: theatre, singing, poetry recital - to share their new ways of seeing community through CROSS-CULTURAL EXCHANGES in their interpretations of civic national values. We saw this Scheme of Work as facilitating a process of empowerment; for young people to advocate their communication of the peacebuilding process to policymakers in their post-conflict national contexts.
This Scheme of Work document was devised as a framework for research and development by the Phase 2 project 'Interpreting Civic National Values' to allow young people in Kenya and Nepal to REFLECT individually on life experiences in their community and to DISCUSS these with each other - to RECORD their thoughts through shared writing and shared artwork - to bring these thoughts to life through PERFORMANCES of their choice such as: theatre, singing, poetry recital - to share their new ways of seeing community through CROSS-CULTURAL EXCHANGES in their interpretations of civic national values. We saw this Scheme of Work as facilitating a process of empowerment; for young people to advocate their communication of the peacebuilding process to policymakers in their post-conflict national contexts.
This Scheme of Work document was devised as a framework for research and development by the Phase 2 project 'Interpreting Civic National Values' to allow young people in Kenya and Nepal to REFLECT individually on life experiences in their community and to DISCUSS these with each other - to RECORD their thoughts through shared writing and shared artwork - to bring these thoughts to life through PERFORMANCES of their choice such as: theatre, singing, poetry recital - to share their new ways of seeing community through CROSS-CULTURAL EXCHANGES in their interpretations of civic national values. We saw this Scheme of Work as facilitating a process of empowerment; for young people to advocate their communication of the peacebuilding process to policymakers in their post-conflict national contexts.
This Scheme of Work document was devised as a framework for research and development by the Phase 2 project 'Interpreting Civic National Values' to allow young people in Kenya and Nepal to REFLECT individually on life experiences in their community and to DISCUSS these with each other - to RECORD their thoughts through shared writing and shared artwork - to bring these thoughts to life through PERFORMANCES of their choice such as: theatre, singing, poetry recital - to share their new ways of seeing community through CROSS-CULTURAL EXCHANGES in their interpretations of civic national values. We saw this Scheme of Work as facilitating a process of empowerment; for young people to advocate their communication of the peacebuilding process to policymakers in their post-conflict national contexts.
Tribal Education Methodology (TEM) is designed to have a meaningful intervention into tribal education and state curriculum of Kerala. Unlike earlier initiatives that promoted alternative educational models that ran parallel to the State curriculum, TEM attempts to integrate the tribal arts, culture, oral traditions of knowledge to restructure the state school curriculum. The activities of the project are aimed at lessen the gap in scientific research in the field to empower tribal pedagogy as a tool for decolonising the education for transformative learning. The District of Wayanad has five Model Residential Schools (MRS) for tribal young learners and all the activities of the project are initiated in all MRS.
Hear from the Chief District Administrator about the Tribal Education Methodology Project.
